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There are many similarities between music and language, in the way they are organised, processed and produced. Music therefore has enormous potential as a language-learning tool, and one that can be appealing to even the least engaged or confident learners.
Phonological awareness beyond the individual phonemes of English can be facilitated by tapping into students’ existing awareness of fundamental elements of music, such as rhythm, pitch change, volume and speed. This allows language-learners to refine their comprehension and production of spoken language, and to communicate more effectively.
There is also evidence to suggest that musical activities can help learners to develop good memory strategies for retaining vocabulary and grammatical structures, so that their working memories are freed up for other, higher-order functions. Some learners need a lot of repetition of a lexical item in order to remember it, to the point that it starts to become tedious, unless we present the repetition as part of a game or a song. In a study by Ludke, Ferreire and Overy (2014), learners who sang the target vocabulary were found to be better able to remember it later than learners who only spoke it, or spoke it rhythmically.
Taking a tune that all the learners know, and asking them to sing some new words to the tune, will require them to think about the pronunciation of the individual sounds, where the stress falls in the words, and how they fit together. Some learners may need to go back a step before this activity, and spend a bit of time just practising the words separately, as in the ‘Pass the Parcel’ activity in the accompanying resource (from the ‘Language Learning and Musical Activities’ collection).
Using musical activities enables us to build positive effect and motivation, to calm or revitalise the energy levels in the group, and to offer students an environment in which they can find the focus needed to complete tasks. By introducing collaborative activities, it is possible to develop better group dynamics, and to foster a learning environment in which everybody feels part of the group, and is able to contribute according to their individual strengths. This is key to implementing genuinely inclusive practices in the language classroom.
You can download the resource accompanying this article by clicking here (PDF) and here (audio file).
Resources:
Evens, M. and Smith, A. M. (2019), Language Learning and Musical Activities. Morecambe; ELT well. Available here.
Ludke, K, Ferreire, F and Overy, K (2014), ‘Singing can facilitate foreign language learning’, Memory and Cognition 42: 41–52.
The traditional way to start a lesson with Secondary school learners is with a 'do now!' activity. It works. You get a focused start to the lesson, with students calmly settling into an activity as soon as they enter the room. Moving on – and introducing the ‘learning intention’ – however, can be a little more challenging. This is especially true for EAL learners, particularly if the lesson is a tricky or more academic one, such as a writing lesson, that may have negative connotations for some pupils.
While learning new languages, a lot of information simply needs to be remembered, and we often have to combine new information with what we already know, using our working memory. For students with specific learning differences, such as dyslexia, retrieving information from the long-term memory can be slower or less effective, resulting in greater difficulties in learning. It is therefore vital to teach specific memory strategies.
Memory processes are complex, but in my experience, we remember better the things that we:
Parents are integral to schooling for any child, and one of the key opportunities to discuss how a child is developing is during parents evening (Macbeth, Pg 362). However; how do you support parents of an EAL pupil during parents evening? Many questions come to mind, “Will the parents understand me?”, “Do I need to find a translator?”, “What questions will they ask me” etc.