We Care About Your Privacy
By clicking “Accept all”, you agree to the storing of cookies on your device to enhance site navigation, analyze site usage, and assist in our marketing efforts. View our Privacy Policy.
There are many similarities between music and language, in the way they are organised, processed and produced. Music therefore has enormous potential as a language-learning tool, and one that can be appealing to even the least engaged or confident learners.
Phonological awareness beyond the individual phonemes of English can be facilitated by tapping into students’ existing awareness of fundamental elements of music, such as rhythm, pitch change, volume and speed. This allows language-learners to refine their comprehension and production of spoken language, and to communicate more effectively.
There is also evidence to suggest that musical activities can help learners to develop good memory strategies for retaining vocabulary and grammatical structures, so that their working memories are freed up for other, higher-order functions. Some learners need a lot of repetition of a lexical item in order to remember it, to the point that it starts to become tedious, unless we present the repetition as part of a game or a song. In a study by Ludke, Ferreire and Overy (2014), learners who sang the target vocabulary were found to be better able to remember it later than learners who only spoke it, or spoke it rhythmically.
Taking a tune that all the learners know, and asking them to sing some new words to the tune, will require them to think about the pronunciation of the individual sounds, where the stress falls in the words, and how they fit together. Some learners may need to go back a step before this activity, and spend a bit of time just practising the words separately, as in the ‘Pass the Parcel’ activity in the accompanying resource (from the ‘Language Learning and Musical Activities’ collection).
Using musical activities enables us to build positive effect and motivation, to calm or revitalise the energy levels in the group, and to offer students an environment in which they can find the focus needed to complete tasks. By introducing collaborative activities, it is possible to develop better group dynamics, and to foster a learning environment in which everybody feels part of the group, and is able to contribute according to their individual strengths. This is key to implementing genuinely inclusive practices in the language classroom.
You can download the resource accompanying this article by clicking here (PDF) and here (audio file).
Resources:
Evens, M. and Smith, A. M. (2019), Language Learning and Musical Activities. Morecambe; ELT well. Available here.
Ludke, K, Ferreire, F and Overy, K (2014), ‘Singing can facilitate foreign language learning’, Memory and Cognition 42: 41–52.
Feedback is the buzz-word and, as with most things, it is not being reinvented, but constantly readapted. In recent years, we see more formal national approach. One can become overwhelmed with the copious elements that need to be considered when feeding back to learners.
Despite legitimate claims that EAL students devote over half of their time to listening when functioning in English (Nunan, 1998), this is often not reflected in the time that we dedicate to the four main skills in the classroom. In fact, Nation (2009) states that listening is arguably the least understood and most overlooked of the four skills in language teaching.
In Science, EAL learners need to understand scientific language, both written and oral, as well as to work with the command verbs such as; discuss, explain, evaluate etc… (Mertin, 2014). This means the language required for Science is academic and challenging and, as a result, it can become extremely difficult for learners to access the subject content. This begs the questions; How do we make the lessons comprehensible to EAL learners and provide what Krashen (1998) terms as ‘comprehensible input’?