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There are many similarities between music and language, in the way they are organised, processed and produced. Music therefore has enormous potential as a language-learning tool, and one that can be appealing to even the least engaged or confident learners.
Phonological awareness beyond the individual phonemes of English can be facilitated by tapping into students’ existing awareness of fundamental elements of music, such as rhythm, pitch change, volume and speed. This allows language-learners to refine their comprehension and production of spoken language, and to communicate more effectively.
There is also evidence to suggest that musical activities can help learners to develop good memory strategies for retaining vocabulary and grammatical structures, so that their working memories are freed up for other, higher-order functions. Some learners need a lot of repetition of a lexical item in order to remember it, to the point that it starts to become tedious, unless we present the repetition as part of a game or a song. In a study by Ludke, Ferreire and Overy (2014), learners who sang the target vocabulary were found to be better able to remember it later than learners who only spoke it, or spoke it rhythmically.
Taking a tune that all the learners know, and asking them to sing some new words to the tune, will require them to think about the pronunciation of the individual sounds, where the stress falls in the words, and how they fit together. Some learners may need to go back a step before this activity, and spend a bit of time just practising the words separately, as in the ‘Pass the Parcel’ activity in the accompanying resource (from the ‘Language Learning and Musical Activities’ collection).
Using musical activities enables us to build positive effect and motivation, to calm or revitalise the energy levels in the group, and to offer students an environment in which they can find the focus needed to complete tasks. By introducing collaborative activities, it is possible to develop better group dynamics, and to foster a learning environment in which everybody feels part of the group, and is able to contribute according to their individual strengths. This is key to implementing genuinely inclusive practices in the language classroom.
You can download the resource accompanying this article by clicking here (PDF) and here (audio file).
Resources:
Evens, M. and Smith, A. M. (2019), Language Learning and Musical Activities. Morecambe; ELT well. Available here.
Ludke, K, Ferreire, F and Overy, K (2014), ‘Singing can facilitate foreign language learning’, Memory and Cognition 42: 41–52.
The National Learning and Work Institute (2018) completed a randomised controlled trial of a Community-Based English Language intervention aimed at people with very low levels of functional English proficiency. Findings showed “a strong and clear positive impact that attendance on an intensive 11-week Community-Based English Language course has on both English proficiency and social integration for those with relatively low levels of English proficiency.” (Integrated Communities English Language Programme, 2018).
How often does a classroom teacher approach an EAL teacher with the words, “I don’t know how to help this learner! I have no experience with English language learners”? There are a few key principles and strategies that can easily be shared to empower teachers to provide an educational environment that is conducive to language learning.
Sometimes our students who have English as an additional language seem to be having more difficulty than expected developing their language, and accessing the rest of the curriculum. Most teachers have become more aware of the signs of dyslexia (and other specific learning differences), but the overlap with the language learning process makes it much more complex to identify EAL learners who also have a SpLD.