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There are many similarities between music and language, in the way they are organised, processed and produced. Music therefore has enormous potential as a language-learning tool, and one that can be appealing to even the least engaged or confident learners.
Phonological awareness beyond the individual phonemes of English can be facilitated by tapping into students’ existing awareness of fundamental elements of music, such as rhythm, pitch change, volume and speed. This allows language-learners to refine their comprehension and production of spoken language, and to communicate more effectively.
There is also evidence to suggest that musical activities can help learners to develop good memory strategies for retaining vocabulary and grammatical structures, so that their working memories are freed up for other, higher-order functions. Some learners need a lot of repetition of a lexical item in order to remember it, to the point that it starts to become tedious, unless we present the repetition as part of a game or a song. In a study by Ludke, Ferreire and Overy (2014), learners who sang the target vocabulary were found to be better able to remember it later than learners who only spoke it, or spoke it rhythmically.
Taking a tune that all the learners know, and asking them to sing some new words to the tune, will require them to think about the pronunciation of the individual sounds, where the stress falls in the words, and how they fit together. Some learners may need to go back a step before this activity, and spend a bit of time just practising the words separately, as in the ‘Pass the Parcel’ activity in the accompanying resource (from the ‘Language Learning and Musical Activities’ collection).
Using musical activities enables us to build positive effect and motivation, to calm or revitalise the energy levels in the group, and to offer students an environment in which they can find the focus needed to complete tasks. By introducing collaborative activities, it is possible to develop better group dynamics, and to foster a learning environment in which everybody feels part of the group, and is able to contribute according to their individual strengths. This is key to implementing genuinely inclusive practices in the language classroom.
You can download the resource accompanying this article by clicking here (PDF) and here (audio file).
Resources:
Evens, M. and Smith, A. M. (2019), Language Learning and Musical Activities. Morecambe; ELT well. Available here.
Ludke, K, Ferreire, F and Overy, K (2014), ‘Singing can facilitate foreign language learning’, Memory and Cognition 42: 41–52.
The Early Career Framework was made compulsory in the UK in September 2021. It replaces the year-long NQT period. It is a two-year programme of support and development for new teachers after they complete initial teacher training. The Framework covers 8 main areas:
This morning my 4-year-old said, "Mummy, there are two languages, child's language and adult language". I asked her what she meant and she explained that when her friend was crying the teacher told her to read her the "owl" book. She then said, "The teacher reads the words but the child changes it." A young child may not be able to read, or retell the story using the actual words but often can retell it in their own words. A bit like a translation, as my daughter illustrated. The key factor is not the actual words, but the story behind the words.
Everyone is talking about differentiation for EAL in whole class teaching, but how do we actually approach it consistently and effectively?
At Across Cultures we have been developing some systematic ways of approaching this in a structured, yet flexible format. In the downloadable plan you'll see a framework to support EAL teachers with planning for content learning alongside language learning. The plan is based about the theme of sea pollution and provides a writing frame for a persuasive text.
This lesson follow a particular format: